2022 FILMS C-F Go here for Passes

In the deep belief that their region is the "Heart of the World", the leaders of the village (called Mamos) advise that the earth is a living body and if you kill the heart, all other things will die, too.  They explain that if humans simply obey the universe's Original Law, the development of new diseases and a disharmony amongst humans can be avoided.

Alternate title:  Laughter As Medicine, Cherokee Comedian Zebadiah Nofire.

Meet Zebadiah Nofire, a young Cherokee comedian, who keeps us laughing with his love of family, language and stories.

A frog morphs through a colorful animated world, transforming into a variety of characters and landscapes. As it’s changing, it catches, throws, and drives a football–weaving through the lyrics of Naomi Alligator’s Concession Stand Girl.

Driven by the magic of his experiences, his background as a chef, and his love of good food and connecting people to incredible places that open up to conversation, Rashad Frazier created Camp Yoshi, which curates custom outdoor adventures centered around shared meals and shared experience with the goal of creating a space for Black people and allies to unplug and in turn reconnect with the wilderness.

In conversation with her grandson, 93-year-old Carol goes on a vibrantly animated journey as she reflects on her unbelievable marriage of 62 years.

Banksy is issuing a warning cry on the migration crisis in Europe still ongoing this day. By recreating the Raft of the Medusa, it is in direct line in connection with Géricault's commitment, two centuries earlier, to the service of freedom.

Obsessed with his work and ridiculed by his peers, John P. Harrington grew paranoid fearing people would steal it. Not until his death in 1961 is it reveal just how much work he did. Today his notes and recordings of dying Native American languages have brought languages back to life.

A subjective view of a painter's creative process.

A variety of animation methods are used to investigate the complicated and relentless task of presenting self at a time in which our likenesses have become increasingly malleable, fraught, and self-searching.